ACCUMULATIONS OU « LE MONDE LE PLUS BEAU EST COMME UN TAS D’ORDURES RÉPANDUES AU HASARD » (1976)

Unpacking a drawer, with its heterogeneous contents, of a secretary in an office, relentless repetition of the words "My name is Didier Ozil" illustrated by the images on the wall of his apartment, tailing consumers on a Saturday afternoon in the streets of Lyon, and the overflowing of garbage cans on the sidewalks of the city center.